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	<title>danielleburke</title>
	<link>https://daniellelouiseburke.com</link>
	<description>danielleburke</description>
	<pubDate>Tue, 25 Jun 2024 01:43:49 +0000</pubDate>
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		<title>About</title>
				
		<link>https://daniellelouiseburke.com/About</link>

		<pubDate>Sun, 11 Sep 2022 21:07:39 +0000</pubDate>

		<dc:creator>danielleburke</dc:creator>

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		<description>About

B. 1993, Denver, CO
Currently living in Asheville, NC

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		<title>Center for Craft</title>
				
		<link>https://daniellelouiseburke.com/Center-for-Craft</link>

		<pubDate>Sun, 11 Sep 2022 20:35:48 +0000</pubDate>

		<dc:creator>danielleburke</dc:creator>

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		<description>Center for Craft

2022 ︎︎︎ Career Advancement Grant&#38;nbsp;2015 ︎︎︎ Windgate-Lamar Fellowship

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		<title>James Renwick Alliance</title>
				
		<link>https://daniellelouiseburke.com/James-Renwick-Alliance</link>

		<pubDate>Sun, 11 Sep 2022 19:55:05 +0000</pubDate>

		<dc:creator>danielleburke</dc:creator>

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		<description>James Renwick Alliance 
Dintinguished Artist Series2022

This year, in honor of the 40th anniversary of JRACraft and the 25th anniversary of the Center for Craft, we combine our most well-known programs for one celebratory season. Four JRACraft Distinguished Artist Series returning encore artists will be paired with four emerging artists recognized by the Center for Craft's&#38;nbsp;Windgate-Lamar Fellowship to present a collaborative weekend exploring commonality and materiality. Each weekend will be hosted online and include&#38;nbsp;a virtual Saturday demonstration/studio visit and free Sunday lecture.

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	<item>
		<title>Endeavors</title>
				
		<link>https://daniellelouiseburke.com/Endeavors</link>

		<pubDate>Sun, 11 Sep 2022 20:51:49 +0000</pubDate>

		<dc:creator>danielleburke</dc:creator>

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		<description>A Respectable Use of Time
Endeavors: Stories Powered by UNC Research&#38;nbsp;
by Elise Mahon
2021



</description>
		
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		<title>Artsy</title>
				
		<link>https://daniellelouiseburke.com/Artsy</link>

		<pubDate>Sun, 11 Sep 2022 20:01:25 +0000</pubDate>

		<dc:creator>danielleburke</dc:creator>

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		<description>“Appalachia Now!” Spotlights Artists Challenging Regional Sterotypes
by Amy Beth Wright
2019

 PDF here.
Link here.

&#60;img width="1944" height="1296" width_o="1944" height_o="1296" data-src="https://freight.cargo.site/t/original/i/a8cb1a0eec7b5502572309a85cdc348b9c999e8a4d7067d90faa2a72ec664f5f/Screen-Shot-2022-09-11-at-3.21.33-PM.png" data-mid="152652844" border="0"  src="https://freight.cargo.site/w/1000/i/a8cb1a0eec7b5502572309a85cdc348b9c999e8a4d7067d90faa2a72ec664f5f/Screen-Shot-2022-09-11-at-3.21.33-PM.png" /&#62;

Installation view of Andrew Scott Ross,
Gallery of the Thieves , 2019. 
Courtesy of the Asheville Art Museum.</description>
		
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	<item>
		<title>Asheville Made</title>
				
		<link>https://daniellelouiseburke.com/Asheville-Made</link>

		<pubDate>Sun, 11 Sep 2022 20:07:16 +0000</pubDate>

		<dc:creator>danielleburke</dc:creator>

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		<description>Danielle Burke on Frances Louisa Goodrich

by Tom Kerr

2019
PDF link.
Website link.

</description>
		
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	<item>
		<title>Lillies of the valley</title>
				
		<link>https://daniellelouiseburke.com/Lillies-of-the-valley</link>

		<pubDate>Sun, 11 Sep 2022 17:52:34 +0000</pubDate>

		<dc:creator>danielleburke</dc:creator>

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		<description>&#60;img width="2867" height="3215" width_o="2867" height_o="3215" data-src="https://freight.cargo.site/t/original/i/fa8af4604a649908ef94bed33661e32e7948651972eb765148dc7f2019ee6fd8/1_lillies_of_the_valley_handwoven_linen-wool_75-square_2016.jpg" data-mid="152645445" border="0"  src="https://freight.cargo.site/w/1000/i/fa8af4604a649908ef94bed33661e32e7948651972eb765148dc7f2019ee6fd8/1_lillies_of_the_valley_handwoven_linen-wool_75-square_2016.jpg" /&#62;
Lillies of the Valley, Full-size coverlet. Linen and wool. 2018&#38;nbsp;</description>
		
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		<title>Journal of Modern Craft</title>
				
		<link>https://daniellelouiseburke.com/Journal-of-Modern-Craft</link>

		<pubDate>Tue, 25 Jun 2024 01:43:49 +0000</pubDate>

		<dc:creator>danielleburke</dc:creator>

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		<description>Journal of Modern Craft
Vol. 17, No. 1. 2024

Abstract:
This Statement of Practice speaks to my role as the Program Coordinator for the MA in Critical Craft Studies at Warren Wilson College in Swannanoa, North Carolina from 2018 to 2020. I share how I initially connected to the program and how the program’s pedagogical frameworks and expansive community continue to influence my scholarly and artistic practices. Inspired by the writings of Anni Albers, Hernán Díaz, Gertrude Stein and Pablo Neruda, I focus on the networks of relationships which made the program unique. Through my own experiences as an administrator, weaver, folklorist, and current PhD student, I show that craft is grounded within an ecology of historical, contemporary, and potential future relationships which are made tangible though material objects, enlivened by stories, and find resonance though teaching, learning, writing, and curatorial opportunities, as demonstrated by the MA in Critical Craft Studies program.


&#60;img width="1082" height="1308" width_o="1082" height_o="1308" data-src="https://freight.cargo.site/t/original/i/19379f5f0f0c933e609313ea1f58ae70f4613c34c448151969bcfe0fafee3830/journal-of-modern-craft-cover.png" data-mid="213551762" border="0"  src="https://freight.cargo.site/w/1000/i/19379f5f0f0c933e609313ea1f58ae70f4613c34c448151969bcfe0fafee3830/journal-of-modern-craft-cover.png" /&#62;</description>
		
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		<title>MA in Folklore Thesis</title>
				
		<link>https://daniellelouiseburke.com/MA-in-Folklore-Thesis</link>

		<pubDate>Sun, 11 Sep 2022 17:07:48 +0000</pubDate>

		<dc:creator>danielleburke</dc:creator>

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		<description>MA in Folklore Thesis

Olive (Fink) Risch and the Cross Country Weavers: An Archival and Ethnographic Study2022


Under the direction of Gabrielle Berlinger, (advisor) and Bernard Herman, Patricia Sawin, and Namita Gupta Wiggers (committee members) 


Abstract: Studies on group and transmission often omit the affective dimensions which imbue the process of community formation, maintenance, and continuity with purpose and pleasure. This case study on Olive (Fink) Risch’s involvement with the national, mail-based Cross Country Weavers from 1962 until at least 1967 provides an apt opportunity to mend this oversight. By applying collaborative ethnographic methodologies to her archival collection, this essay identifies seven qualities of relationality—reciprocity, presence, belonging, veneration, narration, stewardship, and remembrance—which indicate the co-constitutive processes of social connection and weaving scholarship. Furthermore, the wide geographic distance between group participants provides an example of effective distanced-learning practices, certainly relevant now due to the COVID-19 pandemic. 

&#60;img width="970" height="1502" width_o="970" height_o="1502" data-src="https://freight.cargo.site/t/original/i/da6206820b63b4b243cd08ad6926a9379e2c681cb04479dc30e0dbc44d06a4ed/Screen-Shot-2022-09-11-at-12.14.17-PM.jpg" data-mid="152653545" border="0"  src="https://freight.cargo.site/w/970/i/da6206820b63b4b243cd08ad6926a9379e2c681cb04479dc30e0dbc44d06a4ed/Screen-Shot-2022-09-11-at-12.14.17-PM.jpg" /&#62;</description>
		
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	<item>
		<title>Bobbin Lace Interviews</title>
				
		<link>https://daniellelouiseburke.com/Bobbin-Lace-Interviews</link>

		<pubDate>Sun, 11 Sep 2022 19:07:53 +0000</pubDate>

		<dc:creator>danielleburke</dc:creator>

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		<description>Bobbin Lace Interviews


An in-progress project rooted in my ethnographic research with lace making communities in North Carolina and New Jersey. More to follow.


Danielle Burke · Bobbin Lace Interview.MP3
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